Paddy Considine Quotes
I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
Quotes to Explore
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I've been writing music since 4th grade, and I love putting words together and expressing things in a way that you can move your head to and you can really relate to, because I have a lot to say.
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I usually say I left puberty at 58.
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All wars, even the noblest, bring a reckoning of means and ends.
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People that are orthodox when they are young are in danger of being middle-aged all their lives.
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I am absolutely and inherently self-destructive in that I am always making sure I'm doing what I want to do.
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What's upsetting about an autobiography is that the final chapter is always missing. I mean, you want the death, don't you?
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Our focus is on helping people develop the skills to find and keep a job. Instead of focusing on a war against poverty, we will focus on fighting for the poor among us by offering them hope and opportunity.
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My dad is a gentle and brilliant Iranian violinist.
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Millions of American families affected by debilitating diseases have new hope today after the U.S. House passed legislation to support potentially life-saving stem cell research.
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Almost all the early Christian Fathers were opposed to the death penalty, even though it was of course standard practice across the ancient world.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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You should never do anything too much. If you only eat healthy food, that is too much. Success is balance - a banker with no time with his kids, he's not successful. If he doesn't have time to walk his kids to school, that is not success - that is a mistake.
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Any story hits you harder if the person delivering it doesn't sound like some news robot but in fact sounds like a real person having the reactions a real person would.
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I don't want to spoil the magic, but it's a very curious thing that honestly baffles me. It's the nearest we'll ever get to playing God, to suddenly produce these fully formed creatures. It is a bit odd. Other aspects you work out more - you rework sentences, you rework imagery. But not characters.
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I live a very normal regimented life that focuses on my training and my private life so I squeeze the insane stuff in around that.
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All achievements, all earned riches, have their beginning in an idea.
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Homosexuality in Russia is a crime and the punishment is seven years in prison, locked up with the other men. There is a three year waiting list.
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My biggest influences as an actor were Marlon Brando, and I really dug James Dean.
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I had to sit in front of all these people, and act like I knew what I was doing. I faked my way through it pretty well.
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I know the world of opera so intimately: historical sweep, sharply defined characters, not too rational an explanation of what's going on. It's a feast.
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Developing nations want to become developed nations.
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We have a political culture of intimidation, of favoring, of patronage, and of fear, and that is no way for a community to be governed.
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I'll admit, sometimes I've paid the bills with acting. You know the phrase, 'It's one for the money, two for the showreel.' I don't want that as a director. I don't want to compromise myself. There's a big old wide world out there. I want to explore it.
