P. G. Wodehouse Quotes
'The modern young man,' said Aunt Dahlia, 'is a congenital idiot and wants a nurse to lead him by the hand and some strong attendant to kick him regularly at intervals of a quarter of an hour.'
Quotes to Explore
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When we have a good balance between thinking and feeling... our actions and lives are always the richer for it.
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When a book leaves your hands, it belongs to God. He may use it to save a few souls or to try a few others, but I think that for the writer to worry is to take over God's business.
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It is every woman's dream to be some man's dream woman.
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I don't see myself only as a Somali character. I think of myself as an actor, and if the job fits me and I like the story, I will go for it.
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Common Core results finally give families an accurate barometer of whether our kids are mastering the skills they need to succeed in a knowledge-based global economy, early enough that we can intervene.
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In our local Baptist church, I sang in the choir and formed a gospel quartet. When our minister caught me messing with his guitar, he taught me three positions – one, four and five. After that, I taught myself to play.
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You always hear 'black Republican,' but you never hear 'white Democrat.' We've got to get beyond the labels and stereotypes. Other people have hang-ups about it. I don't.
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The way I perceive an album to sound and the way I put out mixtapes are two different energies. There's a different focus; there's a different sound.
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I don't agree with all-male leaderships. Men cannot be left to run things on their own. I think it's a thoroughly bad thing to have a men-only leadership.
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Music is about the performance.
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Experimental science is fascinating, but I don't want to do it. I want other people to do it, and I'll read about it.
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To me, success is choice and opportunity.
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I don't talk about political matters. That's not my department.
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I always look to play flawed characters. I'm not very interested in playing somebody that's just, you know, the very nice one or the attractive one, or whatever, which a lot of female parts can just be written that way.
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I always felt a little worm inside me: 'Now you need to write a novel with a woman protagonist.'
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There is always a type of man who says he loves his fellow men, and expects to make a living at it.
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Making the 'An Idiot Abroad' series, I was really dreading going to India; I thought I'd hate it. It was a nightmare, and I was really ill - just like everyone says.
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You've got to eat while you dream. You've got to deliver on short-range commitments, while you develop a long-range strategy and vision and implement it. The success of doing both. Walking and chewing gum if you will. Getting it done in the short-range, and delivering a long-range plan, and executing on that.
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Unite liberality with a just frugality; always reserve something for the hand of charity; and never let your door be closed to the voice of suffering humanity.
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I spent hours on the internet looking at how glamorous actresses winked and how they would put their hand on their waist, and I was told to look at how they would walk in a room and how her body takes place of everything.
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As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.
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It's interesting, because I named my first album after my dad because I wanted to find him. My second album was named after my mom because I felt like I learned all my creative talents I learned from her. All the survival stuff, too. And then the next album is 'Maya,' which is not my real name. It's fake.
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'The modern young man,' said Aunt Dahlia, 'is a congenital idiot and wants a nurse to lead him by the hand and some strong attendant to kick him regularly at intervals of a quarter of an hour.'
