Walker Evans Quotes
What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.
Quotes to Explore
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I'm the C.E.O., nominated by the shareholders. If they're not happy, I have to take the consequences.
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There ought to be more grants that go to people in their late twenties and early thirties. That's a crucial age, although it's very hard to judge who is worth supporting and who is not. Looking back on my own life, I see that was the period when I was closest to giving up as a novelist and when I most needed some encouragement.
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To me, the funnest part of wrestling is evolving. If you stay the same all the time, you're eventually going to be left behind.
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I don't really love to perform in music. Some people like it more, but it's not my thing so much, but just the writing, when you get the lyric, and the lyric just goes just the right way, or you find the right bridge that takes you to the solo, and those moments are tremendous, and it's difficult to portray.
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Going to bed can cause imaginary conversations you should have had with certain people or real conversations with your brother who is calling from a bar in a different time zone.
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Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.
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Christianity has stayed stable, as it must do. The doctrines don't change. The understanding of what it means to walk with God doesn't change. The reality of worship doesn't change, not at heart, anyway. So Christianity appears to be stuck.
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When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
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We don't expect every operator to be Christian, but we tell them we do expect them to operate on Christian principles.
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In orthodox film-making, you never shoot sequentially - but with improv, obviously every move you make has a knock-on effect; it is a cumulative process. I have improvised, on the non-scripted 'Timecode.' It can become entirely indulgent: actors smashing crockery and competing verbally.
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No one rises so high as he who knows not whither he is going.
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We are dealing with treachery and threats, which accompanied the establishment of Israel.
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You couldn't find a more stylized boxer than Sugar Ray Leonard.
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The prayers of cowards fortune spurns.
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I have had an amazing career for a man who hits things for a living.
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Constant reference to a 'war on terror' did accomplish one major objective: It stimulated the emergence of a culture of fear.
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I think Ingmar Bergman, Francoise Truffaut - all these people created images in my mind, beautiful pictures, I loved what was known at that time as the foreign film.
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I don't crave fame. I mean, it's nice to be recognized. It is useful.
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I do a lot of visualisations and meditation and a lot of hippie stuff.
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Is that what I've become, a piece of meat?
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Some people see life as many steps up and try to forget where they are coming from, you understand? A little step in life on a commercial or a material level is a good step, but a big step does not mean a strong step - you tend to lose your roots - and if you don't be careful, you can fall.
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I believe that if I wasn't born in this technological and 'social media' era, I would have found another way to express myself.
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Wherever you go, whether it be a college campus or the New York Times or ABC News or Venezuela or Cuba or the former Soviet Union, it's amazing how the speech codes and the trying to shut up dissent is a defining aspect of the left because they believe so firmly in their utopian ideals that anyone who would disagree with that utopia is an enemy of the state, and they treat them as such.
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What I believe is really good in the so-called documentary approach to photography is the addition of lyricism.[this quality] is usually produced unconsciously and even unintentionally and accidentally by the cameraman.
