Ben Edlund Quotes
The big challenge for me is that my nature is more towards comedy, so I understand when a comedy thing is working; I know when I'm not bored in a comedy.
Quotes to Explore
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Between the ages of 24 and 27, I read Freud's complete works, everything that had been translated into English. It was very stimulating intellectually. But I did not accept his view of neurosis or of human nature.
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If I were to listen to people all the time when they say, 'Hey, this is a really high challenge, this is a high climb, the bar is pretty steep,' then I wouldn't have gone to the academy. I wouldn't have become an aircraft carrier pilot. I wouldn't have become a Navy SEAL for sure. And I probably wouldn't have applied to Harvard.
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I actually love doing comedy!
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The fairest thing in nature, a flower, still has its roots in earth and manure.
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I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
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I don't just want to be a cute girl in a comedy or the actress who just does the same thing over and over again. I want to play roles that are distinct. I want to have a more varied career like actresses Viola Davis or Angela Bassett - those are the people that I grew up watching and admiring.
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I created my own charity called My Peak Challenge. We've been able to raise hundreds of thousands of pounds. It's helping change people's lives, and I've had lots of wonderful letters about it.
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By nature, men desire the beautiful.
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I still want to do a romantic comedy or a western or a gritty independent film... there's so much that I still want to do.
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Comedy's really subjective, you know.
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I'm a country girl. I have to be in nature, so my daughter is exposed to it a lot.
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By its very nature, hard-line ideology is self-serving and self-perpetuating; its primary goal is to survive - and that precludes everything.
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I'm a student of comedy in general, so I've always loved Billy Crystal. But I'm a different type of showman. I'm a clown and a jester.
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Sunlight is painting.
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I was always very aware of the nature of the place where I was growing up in Gulfport, Mississippi, how that place was shaping my experience of the world. I had to go to the Northeast for graduate school because I felt like I had to get far away from my South, be outside it, to understand it.
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I'm not going to give up the shock part of my comedy.
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I'm not looking to set a standard... but, I believe I have offered a challenge to others with my work.
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People often ask how I got interested in the brain; my rhetorical answer is: 'How can anyone NOT be interested in it?' Everything you call 'human nature' and consciousness arises from it.
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After the Rodgers and Hammerstein revolution, songs became part of the story, as opposed to just entertainments in between comedy scenes.
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My presence isn't simply about "character" - I'm present in every part and particle of the thing, in the sound and rhythm of the sentences, in the shifting tones and the selection of details, in the comedy, the sadness, and the confusion. For the space of an essay, I'm the air you breathe, everywhere and nowhere. With a personal essay, I don't think you'd want it any other way. You ought to have the sense of an encounter, the impression of having met someone. In my essays, for better or worse, that someone is me.
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I take an active role in my imaging and how I look.
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Music is art, and making watches is art, too.
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The big challenge for me is that my nature is more towards comedy, so I understand when a comedy thing is working; I know when I'm not bored in a comedy.
