Thomas Rhett (Thomas Rhett Akins Jr.) Quotes
I'm kinda not one of those people that likes to put up trophies in my house, because I don't want my mom to come be like, 'Hey, you're full of yourself.'
Quotes to Explore
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There was just a lot of comedy on the TV in the house, and my parents are both very funny.
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Profit in business comes from repeat customers, customers that boast about your project or service, and that bring friends with them.
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I feel nowadays a lot of bands can be too overly produced. There's something about the leather pants and bare bodies and Axl Rose running back and forth on a stage and going crazy. I love all that.
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I went online with winelibrary.com in July of 1997; that was my first professional online play.
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I listen to 'deep dish house'.
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I was never one to sit down and write a plan for my future.
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Like the old Italian saying goes, 'It ain't rocket surgery.'
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I venture to say no war can be long carried on against the will of the people.
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If you taste something, you're not at the maximum of your ability. What I think about in competition is temperature and texture. It has nothing to do with taste or emotion.
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I'm a warrior for the middle class.
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I don't know what other people are like, I haven't been able to crawl inside anybody else.
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I don't let anything kill my spirit.
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I'm most excited about all of the non-currency uses of the block chain's ledger-ordering ability. I have no idea which ones will turn out to be successful, but I'm glad all of that experimenting is happening.
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When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.
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We did a lot of those road trips, all the mandatory stuff that you should when you're a kid, like Mount Rushmore and the Grand Canyon and the Sequoias and the western coast.
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Al Qaeda has overplayed their hand. What the al Qaeda do when they go into a town or village or a neighborhood inside a major city is they get a stranglehold on the people themselves. They force the men to wear beards and the women to be properly costumed and essentially completely covered up.
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In the case of 'The Deep,' because of the people involved, the talent and the real lives of people who died, I wanted to make the most honest film I could. And sometimes that's the best way to go: Just make the best version of the film you can.
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I'm often accused of being prudish, but the opposite is true.
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I always figured it was best if I write my songs, take them to my publisher and just lay back. There used to be so many things going on - getting to the artist, getting to the publishers - you know, politics. I just didn't want to get mixed up in all of that.
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It's good fun, yes, but when we play, we take it seriously and want to do well.
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I also like to look at the dynamic that takes place between religion and science because, in a way, both are asking the same questions: Who are we? Where do we come from? Why are we here? Where are we going? The methodologies are diametrically opposed, but their motivation is the same; the wellspring is the same in both cases.
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I grew up in the Midwest and never really felt at home there, and when I got to New York, I was really fearless. I feel like I really fell in love with the the place. But then, it's a place where your world is really big at first and then becomes really small. I found myself hardly leaving my neighborhood, like I made it into a small town.
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I remember dawn coming up over the Strait of Malacca; ragamuffin kids on the dock in Sumatra laughing as they pelted us with bananas; collecting dead flying fish off the deck and bringing them to our sweet, fat, toothless Danish cook to fry up for breakfast.
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I'm kinda not one of those people that likes to put up trophies in my house, because I don't want my mom to come be like, 'Hey, you're full of yourself.'
