Ida Lupino Quotes
A woman in show business isn't honest with herself... so how can she be honest with another woman? We are, all of us, acting every minute of the day and night.
Quotes to Explore
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River Phoenix and I were friends for nine years, and I watched him grow and mature, and I also saw him struggle. I watched him deal with the whole up and down aspects of Hollywood and saw him bounce back, so when he passed away, it was such an enormous shock.
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The billable hours is a classic case of restricted autonomy. I mean, you're working on - I mean, sometimes on these six-minute increments. So you're not focused on doing a good job. You're focused on hitting your numbers. It's one reason why lawyers typically are so unhappy. And I want a world of happy lawyers.
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One minute you're a slug and the next minute you're a hero, so you don't know what to think.
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People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.
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The great mass of women throughout history have been confined to the cultural level of animal life in providing the male with sexual outlet and exercising the animal functions of reproduction and care of the young.
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Nothing is so aggravating than calmness.
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Punishment cannot heal spirits, can only break them.
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Would we be so enamored with dystopian fiction if we lived in a culture where violent death was a major concern? It wouldn't be escapism.
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With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
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I've been working with Global Zero. They are a great organization leading the resistance against nuclear war and the elimination of nuclear weapons.
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I think the only way to maintain profitability is to meet the needs of the customers.
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The two sensibilities, the visual and the verbal, have always been linked for me - in fact, while reading a particularly evocative passage, I will imagine what the photograph I'd take of that scene would look like, even with burning and dodging notes. Maybe everyone does this.
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Meditation is difficult for many people because their thoughts are always on some distant object or place. One form of meditation is to label the thought as it appears and then choose to let it go.
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Easy is to occupy a place in a telephone book. Difficult is to occupy someone's heart; know that you're really loved.
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The older I get, the less I know. By that I mean the less I am sure of. I view people with strong opinions on the big stuff with distrust. I don't think we should have certain certainties on faith and politics; I think we should be open-minded.
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I am so clever that sometimes I don't understand a single word of what I am saying.
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I like cars. I know some things. I can change my own car and battery and change my own oil.
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More than anything I want to get up there and hang out with the audience, make everybody feel like it's fun and they're involved and are just, like, friends hanging out in somebody's living room. I went to see Carole King on her 'Living Room' Tour, and that's the kind of feeling I'm aiming for.
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I keep my feet on the ground because of my roots and the way I was raised.
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It's one of the things that weirdly I always used to like about my job: that expressing the emotions of a writer or someone creative and breathing empathy and life into a character people can then identify with, that they'd feel less alone.
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Some people read business books looking for confirmation. I read them in search of disquiet. Confirmation is cheap, easy and ineffective. Restlessness and the scientific method, on the other hand, create a culture of testing and inquiry that can't help but push you forward.
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I never had a lot of drive, but because I had family responsibilities, I had a lot of tenacity - the tenacity of a drowning man.
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A total reverse of fortune, coming unawares upon a man who 'stood in high degree,' happy and apparently secure,-such was the tragic fact to the mediaeval mind. It appealed strongly to common human sympathy and pity; it startled also another feeling, that of fear. It frightened men and awed them. It made them feel that man is blind and helpless, the plaything of an inscrutable power, called by the name of Fortune or some other name,-a power which appears to smile on him for a little, and then on a sudden strikes him down in his pride.
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A woman in show business isn't honest with herself... so how can she be honest with another woman? We are, all of us, acting every minute of the day and night.
