Novel Quotes
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It's an eclectic film and I think we served the novel really well. And we had a great cast who worked for free. Everyone read it and said, I'm in, from Nick Nolte to Albert Finney to Omar Epps to Barbara Hershey. We really had fun and shot it in a very short time. I think the subject matter is more topical today, more to the point, than it was 30 years ago, when it concerned the Vietnam War.
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The two go hand in hand like a dance: chance flirts with necessity, randomness with determinism. To be sure, it is from this interchange that novelty and creativity arise in Nature, thereby yielding unique forms and novel structures.
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In Catholicism, you learn to worship a superior god that creates, who organizes and creates. And when you do novels, you have this illusion that you are following the model of the creator, that you are playing the creator who has to organize that. It is a vice and a sin, and I like to sin. I'm a vicious person.
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I started on the original comics from Stan Lee and all the artists and storytellers did from there, and I got to the graphic novel that Chris Clairmont did, which is the one Stryker comes from - God Loves, Man Kills, which is a brilliant story.
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It's like, symbolic language, the way that people approach dense poetry... it always bugs me, because that approach suggests that it's like a mystery novel, and that if you can put together the clues, you can come up with one singular answer.
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When you hold a graphic novel in your hands, you're holding artist blood made ink.
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I don't think I'll write a large novel again because it was like being in jail for me. Even though that's the funniest book I've ever written, it was the saddest period of my life.
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It’s a rare reader who doesn’t go to the novel looking for a kind of encouragement to live.
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Novels set in imaginary futures are necessarily about the moment in which they are written.
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In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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Mirabelle replaces the absent friends with books and television mysteries of the PBS kind. The books are mostly nineteenth-century novels in which women are poisoned or are doing the poisoning. She does not read these books as a romantic lonely hearts turning pages in the isolation of her room, not at all. She is instead an educated spirit with a sense of irony. She loves the gloom of these period novels, especially as kitsch, but beneath it all she finds that a part of her indentifies with all that darkness.
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I knew I'd have to go to work in real estate or something else or I could never finish my novel.
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I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
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A screenplay is not a finished product; a novel is. A screenplay is a blueprint for something - for a building that will most likely never be built.
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The short story can't really hold an interesting event. It can't hold a death or a war or a loss of great magnitude the way either a long story or a novel can.
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Keep on the lookout for novel ideas that others have used successfully. Your idea has to be original only in its adaptation to the problem you're working on.
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For a bookworm like Mother, a Brontë novel sister was better than a biological one.
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I feel quite at home writing short stories but nervous and anxious when writing novels, as if the bad time of consecutive failures might arise again.
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The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
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Dare to ask, "Where is my novel too simple?"
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Every novel is an attempt to capture time, to weave something solid out of air. The author knows it is an impossible task - that is why he keeps on trying.
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When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
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It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.
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We have to diversify, we have to find work we can do that helps other people while helping ourselves, work that has to do with writing that isn't necessarily just writing saleable novels or getting huge advances.
