Novel Quotes
-
Jerusalem Maiden is a page-turning and thought-provoking novel. Extraordinary sensory detail vividly conjures another time and place; heroine Esther Kaminsky’s poignant struggle transcends time and place. The ultimate revelation here: for many women, if not most, 2011 is no different than 1911, but triumph is nonetheless possible.
Binnie Kirshenbaum
-
The best way is always to stop when you are going good and when you know what will happen next. If you do that every day when you are writing a novel you will never be stuck. That is the most valuable thing I can tell you so try to remember it.
Ernest Hemingway
-
At last an authentic voice from Saudi Arabia. Al-Mohaimeed has written a remarkable, rhythmic, genuine novel. Wolves of the Crescent Moon throbs with sensuality and moral courage, as if it didn't take place in a society that denies the tick of the heart.
Hanan al-Shaykh
-
Senior year. And then life. Maybe that's the way it worked. High school was just a prologue to the real novel. Everybody got to write you -- but when you graduated, you got to write yourself. At graduation you got to collect your teacher's pens and your parents' pens and you got your own pen. And you could do all the writing. Yeah. Wouldn't that be sweet?
Benjamin Alire Saenz
-
An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.
Will Hobbs
-
It's an eclectic film and I think we served the novel really well. And we had a great cast who worked for free. Everyone read it and said, I'm in, from Nick Nolte to Albert Finney to Omar Epps to Barbara Hershey. We really had fun and shot it in a very short time. I think the subject matter is more topical today, more to the point, than it was 30 years ago, when it concerned the Vietnam War.
Bruce Willis
-
I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
Eric Wight
-
In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
Arvind Ethan David
-
I really feel the novel has certain conveniences about it and has something so fundamental about it you could almost say that as long as there is paper, there is going to be the novel.
William Golding
-
If you caricature friends in your first novel they will be upset, but if you don't they will feel betrayed.
Mordecai Richler
-
It is impossible for any single medium to fully capture the emotion and intensity of war. The Battlefield 3: The Russian novel is one window into the experience, and the game is another. They complement each other perfectl
Andy McNab
-
When I was young, I kept trying to read 'Moby-Dick', and I couldn't get that far into it. And I kept thinking, 'Well, man, if I can't read the great American novel, I could never be a writer.' And this bothered me a great deal.
Nick Tosches
-
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
William Golding
-
I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.
William Finnegan
-
Monkey Beach is a moody, powerful novel full of memorable characters. Reading it was like entering a pool of emerald water to discover a haunted world shivering with loss and love, regret and sorrow, where the spirit world is as real as the human. I was sucked into it with the very first sentence and when I left, it was with a feeling of immense reluctance.
Anita Rau Badami
-
To tell you the truth, I'm not unhappy about it. I'm not even sure that I like the idea of adapting novels into films. It's very difficult to do, and it usually doesn't work. There are exceptions, but generally speaking, one feels disappointed with the result.
Paul Auster
-
I've made seventeen or eighteen films now, only two of which have been original screenplays, all the others have been based on short stories or novels, and I find the long short story ideal for adaptation.
Satyajit Ray
-
We me and husband had been learning about the Khazars, and I had read Michael Chabon's novel Gentlemen of the Road the year before, so all these things are kind of roiling around in my brain, and then I slipped on the ice and I broke my wrist, and it had to be surgically repaired.
Emily Barton