Novel Quotes
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At last an authentic voice from Saudi Arabia. Al-Mohaimeed has written a remarkable, rhythmic, genuine novel. Wolves of the Crescent Moon throbs with sensuality and moral courage, as if it didn't take place in a society that denies the tick of the heart.
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I created a character whose motives were pure and good and she was going to go out and save the whole world. But the truth is, you can't save the whole world, but you can save one. And that was the whole thrust of the novel - to save just one.
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The result of a public that has a very high consumption rate and turnover rate is people listen to more music but spend less time with individual bits of music. It's made me more likely to put things up quickly and treat it more like a magazine instead of a novel.
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Anything whatsoever may become the subject of a novel, provided only that it happens in this mundane life and not in some fairyland beyond our human ken.
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I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.
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I hope that the relationship of the title to the novel [ What Belongs To You] gets more complex with each section of the book: that maybe it begins by resonating with the question of prostitution - to what extent can a body be commodified, what exactly are you renting or purchasing when you pay for sex - and deepens over the course of the book to address larger questions of ownership and belonging.
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The current extinction has its own novel cause: not an asteroid or a massive volcanic eruption but "one weedy species.
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Jekyll and Hyde, in particular, is such an important novel in terms of suspense and setting a perfect scene for crime.
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It is impossible for any single medium to fully capture the emotion and intensity of war. The Battlefield 3: The Russian novel is one window into the experience, and the game is another. They complement each other perfectl
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Nothing can hide from me the conviction that an immortal soul needs for its sustenance something more than visiting, and gardening, and novel-reading, and crochet-needle, and the occasional manufacture of sponge cake.
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The delight in gambits is a sign of chess youth... In very much the same way as the young man, on reaching his manhood years, lays aside the Indian stories and stories of adventure, and turns to the psychological novel, we with maturing experience leave off gambit playing and become interested in the less vivacious but withal more forceful manoeuvres of the position player.
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I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times.
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I can't stand it when people say, "If you're writing a novel, you should read this and that." Because it's like giving someone another person's prescription. How do you know that's what they need?
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Out of an intuitive experience of the world comes a continuous flow of novel distinctions. Purely rational understanding, on the other hand, serves to confirm old mindsets, rigid categories. Artists, who live in the same world as the rest of us, steer clear of these mindsets to make us see things anew.
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Writing grew out of the pleasure of escape. My novels are very much outside of my personal experience. That is why I love writing fiction. It allows me to leave my existence and inhabit other lives.
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I always wanted to write. While I was on a long surf trip, supporting myself with various day jobs, I was working hard on a novel. My third novel, in fact.
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I have to read comic books all first, because now when you get into graphic novels, they are definitely in deep graphic.
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At a very early stage of the novel's development I get this urge to collect bits of straw and fluff, and to eat pebbles. Nobody will ever discover how clearly a bird visualizes, or if it visualizes at all, the future nest and the eggs in it.
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When you're depressed, you know, it's like the world has ended. Even getting out of bed takes the most massive amount of effort. But when you're manic, oh, it's so addicting. You know, I have finished novels in two weeks in manic stages.
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There are some varieties of fiction that I never touch - mystery stories, for instance, which I abhor, and historical novels. I also detest the so-called "powerful" novel - full of commonplace obscenities and torrents of dialog.
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To reflect the entire spectrum, the dynamics of the adventure novel must be invested with a philosophic synthesis of one kind or another.
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An image often propels the novel, gets it started. For me, it's an image that has a lot of emotion connected to it.
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The ingredients that make a good poem often differ from those that make a good essay and from those that make a good novel.
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I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.
