Novel Quotes
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You're looking for something, I don't know what I'm looking for, but I'm looking. Writing is a lot about that. When you write a poem. When you write a novel.
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In my view the plangent artificiality of a lot of creative work results from the fact that the people who write novels, direct films and put on plays tend to read too many novels, watch too many films and go to too many plays.
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For a bookworm like Mother, a Brontë novel sister was better than a biological one.
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I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
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Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
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I project myself so deeply into the characters in novels that I'm not thinking about my own life.
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I don't think I'll write a large novel again because it was like being in jail for me. Even though that's the funniest book I've ever written, it was the saddest period of my life.
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I can't imagine writing a novel without some sound. When you're facing a few hundred blank pages, silence can be cold.
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We me and husband had been learning about the Khazars, and I had read Michael Chabon's novel Gentlemen of the Road the year before, so all these things are kind of roiling around in my brain, and then I slipped on the ice and I broke my wrist, and it had to be surgically repaired.
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I have this prejudice that trilogies are long, three-volume novels.
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Sons of the Dawn is a page-turner, and author Hank Nuwer is to be thanked for enriching our sense of the West with this memorable novel.
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In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
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When I moved to Los Angeles, I wrote spec screenplays. I was really poor, and I thought I was just gonna do this for a while to make a little money so I could write novels. I thought movies were a second-class art form. I condescended to it - I didn't know enough to know it was really gonna be hard.
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Introduce your main characters and themes in the first third of your novel. If you are writing a plot-driven genre novel make sure all your major themes/plot elements are introduced in the first third, which you can call the introduction. Develop your themes and characters in your second third, the development. Resolve your themes, mysteries and so on in the final third, the resolution.
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It is the test of a novel writer's art that he conceal his snake-in-the-grass; but the reader may be sure that it is always there.
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Adult novels was the world of grownups. There was nothing about teenagers.
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Keep on the lookout for novel ideas that others have used successfully. Your idea has to be original only in its adaptation to the problem you're working on.
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I wouldn't have thought that the techniques of story-telling, which is what the novel is after all, can vary much because there are two things involved.There's a story and there's a listener, whose attention you have to keep. Now the only way in which you can keep a reader's attention to a story is in his wanting to know what is going to happen next. This puts a fairly close restriction on the method you must use.
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Turning one's novel into a movie script is rather like making a series of sketches for a painting that has long ago been finished and framed.
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The art of the novel, however, has fallen into such a state of stagnation - a lassitude acknowledged and discussed by the whole of critical opinion - that it is hard to imagine such an art can survive for long without some radical change. To many, the solution seems simple enough: such a change being impossible, the art of the novel is dying.
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I created a character whose motives were pure and good and she was going to go out and save the whole world. But the truth is, you can't save the whole world, but you can save one. And that was the whole thrust of the novel - to save just one.
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I do not know what to say in a case so surprising, so unlooked for and so novel.
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They take the circuits out of people’s brains that make it possible for them to think for themselves. Their world is like the one that George Orwell depicted in his novel. I’m sure you realize that there are plenty of people who are looking for exactly that kind of brain death. It makes life a lot easier. You don’t have to think about difficult things, just shut up and do what your superiors tell you to do.
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Whether early or late, the Parker novels are all superlative literary entertainments.
