Play Quotes
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I believe that whatever we have, regardless of a trade being done or not, I feel we have a shot. I've just got to believe that we're going to be all right. I've got to just play basketball.
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You make sure that there's a structure that's interesting for them to play on top of, then do temp versions and try it on the film. By the time the players come to the recording session, I've found what works. So I'm not wasting their time.
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He'll put up with you for a little while, but then he wants to kick and play.
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Whatever part drink may play in the writer's life, it must play none in his or her work.
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Part of your mission in life then must be to share your gifts with as many people as possible. That means being willing to play big.
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I'll play if I'm playing well. But if I'm playing half-crappy and wear myself out, I'll take time off.
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I did play a lot of fingerstyle when I first started playing. I could never really find the right combination of flatpick or fingerpick, so playing fingerstyle is really the easiest way - though it's quite strenuous on the fingertips.
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When we rebound the ball, we're able to do that. We don't want to come down and play a half-court game all the time.
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When I was real young I wanted to play baseball. I really loved playing center field, but that was never anything I was really ever that good at. I played up until I was in ninth grade.
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When I was studying at Berklee, I got the feeling I couldn't play the [guitar] at all, because I could not use my own things as they didn't fit any set pattern. When I joined [Chico Hamilton], he helped me immensely to develop my own style. He never forced me in any set way. At all times, he encouraged me to be myself on the instrument.
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I don't play villains, I play very interesting people.
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Byron is one tough guy and he can play through just about anything. I know he will be ready to go on Sunday.
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There is nothing more inimical to writing than the spirit of fundamentalism. Fundamentalism abhors the play of signs, the endlessness of writing. Fundamentalism means nothing more or less than going back to an origin and staying there. It stands for one founding book and, thereafter, no more books.
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I lose all track of time on that level. I used to have a really good sense of time. I didn't need a clock to play, and I had a sense of when five, ten, twenty minutes had passed. Now I can only play with a clock.
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I've almost lost several times but come through that. Being able to play your way through the tournament is really able to help.
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I play the piano a lot at home, I write songs on the piano and guitar. I would like to actually play piano on stage... I don't think I'll get the chance for a while.
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I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
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When I got to LA and was with the James Gang, I got the opportunity to write a lot, to play in front of large audiences, make some money.
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I think musicians are always supportive of each other because they want the groove to keep going on. They just basically want to play music.
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Our fate is matched by the total freedom we have to react to our fate. It is as if we were dealt a hand of card. Once we have them, we are free to play them as we choose.
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Macbeth was the first play I ever read.
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The theory is that you don't play a song the same way twice because it's jazz. That's where I'm coming from.
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It's a lot of bling to play with. You got to have the bling.
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I will always play "Stand Back" anyway. And Prince will always he standing behind me every time I do.
