Scenes Quotes
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I'm meeting with Adrian Lyne and Catherine Zeta- Jones to do a reading of some of the scenes and hopefully we can get that picture made.
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What I remember myself from films, and what I love about films, is specific scenes and characters.
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Raquel Welch is someone I can also live without. We've got some love scenes together and I am dreading them!
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I am extremely lucky that I have a husband who is so supportive. He's not in the slightest bit jealous or worried about the things I do in certain scenes.
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For me, certain shots or scenes are keys in the movie.
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Parts that are desexed, matronly – to just put me in a couple of scenes and have me be the older, you know, dead character, is not gonna fly with me.
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I can't bear kissing scenes.
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Little did he know what was going on behind the scenes.
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I write with music. I write scenes in movies that hopefully can earn the use of some songs that are powerful to me.
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Navigating with a partner makes it half as difficult. We keep each other in check. It's not like she [Angie Marr] was ever a quiet little wifey wife behind the scenes. She's exactly like me. She's very smart. We're very lucky that we've always wanted the same things. She loves guitar music, she loves important records, and our lives are about records and shows and great bands.
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Behind the scenes there is a secretive, undeclared war of revenge that's already under way.
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In 'For Whom the Bell Tolls,' Hemingway cozies up to revolution by romanticizing it (and not only with those execrable love scenes).
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Half of 'Mudbound' were shots I stole in between other scenes.
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I never thought I wanted to direct. I love the control of it. I love to dream of scenes.
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Antonio and I only danced together in a couple of quick scenes. But it was really nice.
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I've consciously taken on material that's a bit too much for me but not an overreach. The first movie, just about performances. 'The Town,' I learned how to work broader material, develop tension, direct bigger scenes, action sequences. 'Argo,' I experimented with film stock, widened the scope of my geography.
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How many times have I thought of me sitting on a bench with him and me wriggling away from whatever he wanted to talk to me about. Sometimes you say you're going to write a story about that and sometimes it just arrives, and those scenes arrive.
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I can no more preach nonviolence to a cowardly man than I can tempt a blind man to enjoy healthy scenes.
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I steal scenes, I steal opportunities. I am the ultimate thief. I got sticky fingers, man. They all call me The Thief.
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I think explicit love scenes are a turn off unless it's the kind you read with one hand.
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For me, when I start a novel, I only have a general sense of what I am going to do - usually three or four big scenes or something to which I can really respond emotionally.
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We pass now quickly from each other's sight; but I know full well that where beyond these passing scenes you shall be, there will be heaven!
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But I've always felt that the less you know about an actor's personal life, the more you can get involved in the story in which he's playing a character. And I don't like to see movies where you know about everything that happens behind the scenes. I can't engage in the story if I know what's going on in the actor's head.
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I called Nic Pizzolatto and he said, "No, no. You're in it the whole way through." That was fun to shoot [in The Lobster]. I had a few scenes in that show that were some of my favorite all-time scenes to be in.
