Geoffrey Rush Quotes
There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.

Quotes to Explore
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I'm not into the whole showbiz scene.
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In every movie I do have a dialogue.
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I am quite sensitive to politics, because you know, as an Arab, an Iraqi, all your life, you are very conscious of it.
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I love going to the movies; I love watching good movie actors. They must know something I don't.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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My work is like a dialogue between me and unseen powers, like alchemy.
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Necessity is blind until it becomes conscious. Freedom is the consciousness of necessity.
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A dialogue among civilizations can be seen as a dialogue between the individual and the universal.
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When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
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Tolkien is as good as Dickens at sketching a scene.
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No, we didn't shoot... in the ones that I did there were hardly any sex... there were suggestions of sex scenes but we never actually shot a sex scene as such.
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Most of the time I'm thinking, I'm glad that scene was improvised.
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I think there is a lot of space for people to love who they love, and a lot of space for actors to carve a niche for themselves.
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It just is nothing foreign to consciousness at all that could present itself to consciousness through the mediation of phenomena different from the liking itself; to like is intrinsically to be conscious.
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Freedom begins as we become conscious of it.
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My parents are really honest when they watch something. My nan is brutally honest. She'll tell me, 'Oh, you looked awful in that scene,' and I'm like, 'Well, I was giving birth at the time, so it probably worked with the character, Nan.'
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Get on up, stay on the scene, get on up, like a sex machine.
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The wind's in the east. . . . I am always conscious of an uncomfortable sensation now and then when the wind is blowing in the east.
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And I'm asking you for your good and for your nation's security to take no unnecessary trips, to use carpools or public transportation whenever you can, to park your car one extra day per week, to obey the speed limit, and to set your thermostats to save fuel. Every act of energy conservation like this is more than just common sense-I tell you it is an act of patriotism.
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The vanity of teaching doth oft tempt a man to forget that he is a blockhead.
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Theater is still a medium which attracts young writers. You'd think that it would be all over by now, with television and film. But it's not.
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There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.