Paul Auster Quotes
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Translators are the shadow heroes of literature, the often forgotten instruments that make it possible for different cultures to talk to one another, who have enabled us to understand that we all, from every part of the world, live in one world.
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Even when I'm just sitting at my desk, I have to get up every twenty minutes or so and walk around, walk around, walk around, and then I can go back to the page. I can't just sit there for hours at a time. Language comes out of the body as much as the mind.
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As long as there's one person to believe it, there's no story that can't be true.
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Paintings. Or the collapse of time in images.
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I guess the toughest things in translations are word play, which can never be reproduced exactly.
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For me a paragraph in a novel is a bit like a line in a poem. It has its own shape, its own music, its own integrity.
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Nothing lasts, you see, not even the thoughts inside you. And you musn't waste your time looking for them. Once a thing is gone, that is the end of it.
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Chance is an element of life. What I try to do is study what I call the mechanics of reality as carefully as I can.
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I've been trying to fit everything in, trying to get to the end before it's too late, but I see now how badly I've deceived myself. Words do not allow such things. The closer you come to the end, the more there is to say. The end is only imaginary, a destination you invent to keep yourself going, but a point comes when you realize you will never get there. You might have to stop, but that is only because you have run out of time. You stop, but that does not mean you have come to an end.
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I say at the very end of "Winter Journal" that I do dream about my father often. I think I have a tremendous compassion for him, which has grown over the years. A certain kind of pity for him also in that he was so unrealised as a human being, so dogged, and so shut-off from people in many ways. You know, I've been writing another book, and it's another non-fiction autobiographical work, kind of a compliment to "Winter Journal", and it's just finished.
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Books demand more. You have to be a more active participant.
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When a person is lucky enough to live inside a story, to live inside an imaginary world, the pains of this world disappear. For as long as the story goes on, reality no longer exists.
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The funny thing is that I feel close to all my characters. Deep, deep inside them all. I can't describe how deeply I love them all.
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No one was to blame for what happened, but that does not make it any less difficult to accept. It was all a matter of missed connections, bad timing, blundering in the dark. We were always in the right place at the wrong time, the wrong place at the right time, always just missing each other, always just a few inches from figuring the whole thing out. That's what the story boils down to, I think. A series of lost chances. All the pieces were there from the beginning, but no one knew how to put them together.
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You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
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I guess of all those novels, Don DeLillo's Falling Man is the one I like the best. I thought there were some beautiful things in that, particularly the relationship between the man who finds the briefcase and the woman whose husband owned the briefcase. It's quite a beautiful passage.
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In other words: It seems to me that I will always be happy in the place where I am not. Or, more bluntly: Wherever I am not is the place where I am myself. Or else, taking the bull by the horns: Anywhere out of the world.
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I would say that Edgar Allan Poe, [Georges] Perec, Thomas Pynchon, and [Jorge Luis] Borges are all boy-writers. These are writers who take... a kind of demonic joy in writing.
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I don't like that word [memoir]. Whenever my publishers have wanted to use it, I've told them to take it away.
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I'd go nuts. Because people look at the same passage and one person will say this is the best thing he's ever read, and another person will say it's absolutely idiotic. I mean, there's no way to reconcile those two things. You just have to forget the whole business of what people are saying.
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I believe that the whole idea of the consumer society is tottering. We've kept ourselves going by producing more and more goods, most of which people don't need. I'm anti-consumerism; I own four pairs of black Levis and that's it.
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Stories without endings can do nothing but go on forever, and to be caught in one means that you must die before your part in it is played out.
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Things have not changed as much as we would like to think they have. Or maybe we're just in another one of the divided moments in the country. The late '60s certainly was one of them, the Civil War being another, but I'm hard-pressed to think of too many.
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The biggest book for me, when I was fifteen, was Crime and Punishment, which I read in a kind of fever. When I put it down, I thought, if this is what novels are then I want to be a novelist.