Paul Gauguin Quotes
The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.
 
					Quotes to Explore
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	I'm probably not going to develop to a final state as an artist. Like, become better and better, more and more refined. Become 'pure.' I don't think that's going to happen to me, because I don't really see that as something I want to explore.   
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	Prosperity is the measure or touchstone of virtue, for it is less difficult to bear misfortune than to remain uncorrupted by pleasure.   
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	You know, I've sold a lot of bad movies in my time.   
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	My parents live out in the middle of nowhere, in the middle of this peach orchard. It's actually Peach County, one of the largest peach-growing counties in Georgia. It's very rural, and there is nothing much going on, so I guess that's had a big influence on everything as far as just not having much to do.   
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	I spent my entire childhood with my father. I started my first business at 16, and we became business partners. He's not just a mentor and somebody that I look up to, but he's also someone whom I took work ethic and determination and all of those qualities from.   
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	I've been a big astrophysics nut since I was 12. I have always had a real soft spot for the bizarreness of quantum mechanics. But I gave up on being a scientist in high school - I'm just not that good at math.   
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	I am not going to talk about my personal life anymore. You have to learn that lesson sometime.   
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	Eighty-five per cent of the crowd is going to fall in love with me - they're going to feel it, wow. But fifteen per cent are going to think, 'This guy is obnoxious.' I spend enormous time with them - every negative review of 'Crush It!' on Amazon has a response from me - and I can probably bring back ten of the fifteen.   
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	I'm not a programmer myself, but I am a very, very picky end user of technology. I like my machines to work they way they're supposed to, all the time.   
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	I don't think that the Grammys are in any way a just way of grading music.   
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	I did not think I would be able to do myself justice if I had to speak to the players in English. I would not be able to get my emotions and feelings across.   
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	All bad qualities centre round the ego. When the ego is gone, Realisation results by itself. There are neither good nor bad qualities in the Self. The Self is free from all qualities. Qualities pertain to the mind only.   
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	I feel like Josh, Michelle and Adam were all team players, who wanted to be a part of an ensemble.   
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	If you read about Mussolini or Stalin or some of these other great monsters of history, they were at it all the time, that they were getting up in the morning very early. They were physically very active. They didn't eat lunch.   
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	Sensation is amphibious: at the same time it joins us to and divides us from things. It is the door through which we enter into things but also through which we come out of them and realize that we are not things.   
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	I wouldn't want to be President now!   
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	Some of the best lessons we ever learn are learned from past mistakes. The error of the past is the wisdom and success of the future.   
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	The world does not get to be a better or a worse place; it just gets more senescent.   
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	Mental violence has no potency and injures only the person whose thoughts are violent. It is otherwise with mental non-violence. It has potency which the world does not yet know.   
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	I never miss a vote; I think that's the power of the people. A lot of people fought and died for us to have votes, for women to have votes in particular - your vote is your one weapon.   
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	I love how my sport reaches out to people with the music and story lines, the glory of standing up for three or four minutes of tough, arduous, gravity-defying skating and all the stuff that goes with it.   
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	The main thing is to have a soul that loves the truth and harbours it where he finds it. And another thing: truth requires constant repetition, because error is being preached about us all the time, and not only by isolated individuals but by the masses. In the newspapers and encyclopedias, in schools and universities, everywhere error rides high and basks in the consciousness of having the majority on its side.   
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	You cannot hide; your growth as an artist is not separate from your growth as a human being: it is all visible.   
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	The history of modern art is also the history of the progressive loss of art's audience. Art has increasingly become the concern of the artist and the bafflement of the public.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					