Sarah Silverman Quotes
Quotes to Explore
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From the day of its birth, the anomaly of slavery plagued a nation which asserted the equality of all men, and sought to derive powers of government from the consent of the governed. Within sound of the voices of those who said this lived more than half a million black slaves, forming nearly one-fifth of the population of a new nation.
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When I went to drama school, I knew I was at least as talented as other students, but because I was a black man and I wasn't pretty, I knew I would have to work my butt off to be the best that I would be, and to be noticed.
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One of my personal plights in this business is about playing 'The Sassy Black Girl.'
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After Halle Berry does her films and Queen Latifah does her films, it's left to all the black, Latino and Asian actresses to fight over a couple of roles. I opted for some TV. There's just not a ton of work in film.
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In Men in Black, it was a very small character, no pun intended.
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It's an ongoing joke that a black man is always the first one to get killed in movies.
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The misperception about the South is that everybody is racist, and all black people are victims, that what was prevalent in the '60s is only relegated to the South.
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It takes ground activity to stimulate that Black vote.
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Jack Black is so funny! On and off screen, like, he would make you laugh every day. He's hilarious.
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I am a bit sickie happy. I am prone to black clouds too, but... I am embarrassed about them. It's like: 'My diamond shoes are too tight. My money clip doesn't fit all my fifties.' I mean - really. Shut up.
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I used to be Snow White, but I drifted.
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My biggest luck was the Terry McMillan era, because what happened after the phenomenon of 'Waiting to Exhale' is that publishing woke up. They said, 'Wow. Black people do read.'
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I love black truffles. I love white truffles.
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The black community is my community - the LGBT community, too, and the female community. That is my community. That's me; it's who I am.
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I wouldn't argue that Mitt Romney is a white supremacist.
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Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.
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Phones rang constantly, as if the White House was conducting some kind of pardon telethon.
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There's no white comic that sells tickets to black people like me. They're going to get their hair done, get a new outfit, and come out to see a white dude.
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'The Red Era' is for everybody. Every gay, every fluid, every black, every white.
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The symbol of all art is the Prism. The goal is unrealism. The method is destructive. To break up the white light of objective realism, into the secret glories which it contains.
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The internal sexism within womanhood is very predominant in Hollywood, because we all want to be successful. There's a plug to it: You all have to be skinny! You all have to be pretty! You all have to be likable, because that's the formula that works. On an executive level. On a power level. And it's not always the same working with black people, because of the internalized racism. The colorism.
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If you meet me, you might not get to know me. If you hear my music? You'll get to know me.
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I don't think about who the audience is for my books.
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I'll be back. I'll be black. I'll be white black.
