Alex Stapleton Quotes
There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
Quotes to Explore
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Folks, I've been straight for seventeen days... Not all in a row.
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Eighty per cent of my output is 'Mallory clowns on the Western canon,' and I'm happy to be that person.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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Small debts are like small shot; they are rattling on every side, and can scarcely be escaped without a wound: great debts are like cannon; of loud noise, but little danger.
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The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
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I'm a Sikh; it's part of my religious tradition to never cut my hair and keep it wrapped in a turban.
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In Japan, there's a TV series called Jin. It deals with time travel. I like stories about time travel. It's a story about people living in modern day that travel back to the Edo era. Those things really interest me.
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I would define the poetic effect as the capacity that a text displays for continuing to generate different readings, without ever being completely consumed.
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I think there's always satisfaction that comes from digging in and telling a story and being on the front line and writing about it. I think there's a venue available if you look. Even print journalism is in good shape in areas.
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If you can turn your wants into your needs, you can do anything.
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I don't know what the future holds, but I know that God holds tomorrow, so it is exciting. Even when I have hard things happen, He loves me so big, so much. I come through it and I grow from it, because He has got me.
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When I'm writing, I'm trying to access my subconscious and turn off my conscious brain. I use my conscious for research, but when I'm actually writing, I'm trying to get into a place where I'm tapping into the deeper, darker elements of what's going on.
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Some Libertarians argue that Western occupation fans the flames of radical Islam; I agree. But I don't agree that, absent Western occupation, that radical Islam 'goes quietly into that good night.'
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I love Kate Winslet, Rachel Weisz, Maggie Smith and Judi Dench as well. They're all wonderful and they're very inspiring.
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My favorite types of movies definitely aren't thrillers, but at the same time you can't deny the genius of Hitchcock's films.
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I'm just not one of those people who thought having biological children was that important, to me it was more about wanting to raise a child.
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We're not a family. We're the opposite of a family. We're people so lonely that when we're together we make a black hole of loneliness and everything else gets sucked down into it and is never seen again.
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'It's broccoli, dear.' 'I say it's spinach, and I say the hell with it.'
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I hear the way people talk about the children of famous people. They're not treated very well. The presumptions are usually quite awful. So I tried to establish myself with a couple of movies. After 'Juno' I thought: 'I think I've defined myself enough as my own director that I'd love to work with my father.'
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If I see a movie on TV that I'm in, I usually will watch it for that reason: It's like I'm watching another person.
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When you play the young girl a lot, you can be in the movie a lot and have nothing to do.
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While day by day the overzealous student stores up facts for future use, he who has learned to trust nature finds need for ever fewer external directions. He will discard formula after formula, until he reaches the conclusion: Let nature take its course.
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I hope more cities engage with immigrant entrepreneurs the way St. Louis has - it's a great model.
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There hadn't been one done since the late 70s. I was living in Brooklyn, had no connection to Roger Corman, to no one in this movie. I didn't go to film school. I'm like the person who should have never made this film. But I just decided to put one foot in front of the other. I was writing film articles for magazines at the time. I convinced an editor from one of the magazines that I was working for to give me a shot to do a piece on Roger. This was an excuse to go meet him.
