Ricky Van Veen Quotes
Quotes to Explore
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From the equality of rights springs identity of our highest interests; you cannot subvert your neighbor's rights without striking a dangerous blow at your own.
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My voice is distinctive: there's a rhythm to it, and also, it's funny. I was just blessed with a funny-sounding voice.
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It's funny, because I've never thought of myself as a Hispanic actor, like in 'American Gangster,' I'm playing an Italian. I've always been fortunate enough to have been allowed to play all these diverse roles.
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I have my website, The Ruckus, which is an Internet site, similar to the Funny or Die format, where people post funny videos. I get a chance to rate their videos; they get a chance to blog and kick it with me.
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I used to be Snow White, but I drifted.
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Life is funny. If you don't laugh, you're in trouble.
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There are a lot of funny people and a lot of unfunny people. Some of them are women and some of them are dudes.
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My parents have always had a great sense of humor. And I really appreciate good humor in songs, witty lyrics that sneak up on you and then you listen again, and say: 'That's so funny.' John Prine's songs have always had this really witty tone.
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You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
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There's also a certain rhythm to the way Jews talk that might be funny.
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A poem I write is not just about me; it is about national identity, not just regional but national, the history of people in relation to other people. I reach for these outward stories to make sense of my own life, and how my story intersects with a larger public history.
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I have a funny relationship with religion. I'm a big believer in ritualistic behavior as long as it doesn't hurt anybody. But I'm not a big fan of rules. And yet, we cannot live in a world without order.
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No American should have to live in constant fear that their employer can fire them just because of their sexual orientation or gender identity.
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I think stutterers are funny. And I know it's rude and politically incorrect to laugh at stutterers. But I think it is okay because I know why they're funny. They make people nervous. People think, when on earth are they going to get the word out, so they start laughing out of their own nervousness.
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I guess I'd like to have my cake and eat it, too. I want to be known for having a recognizable style. I believe having your own personal identity is what makes you competitive. On the other hand, I would like to be versatile and be challenged to go in new directions.
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It's funny, because I did all of these interviews as soon as I had the baby, and they were asking questions, and I really didn't have an idea of anything, because I was so blurry.
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It's funny: I don't listen to too much rap. I don't listen to too much older hip-hop. If I do, it's Ja Rule.
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The characters that I'm typically drawn to are sensitive men who are experiencing some sense of identity crisis or growth in their life that they don't know how to overcome.
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I get asked, 'Who would you really like to work with?' I'm already working with them. Smart, talented, funny people, good musicians, an extended family, good friends.
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When I write, I'm not trying to be funny. It's the way I look at the world.
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Why should Scotland be stopped from suggesting to the English people that we join a new union under new terms? Let's not try to dominate one another. Let's be a collection, like being in the pub with a kitty. When we vote in Scotland, we vote one way, but the other country votes another way and we always end up with what they vote for.
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The idea is not enough. And the most annoying thing for me as a writer is that people will come up to me and say, 'Hey, I've got a great idea for a book. I'm not a writer, but I've got a great story.'
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Viral videos aren't just about being funny. They're about identity creation.
