Hakeem Seriki (Chamillionaire) Quotes
I couldn't make every song about Texas because it wouldn't be new; it wouldn't be a breath of fresh air.
Quotes to Explore
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Even in the beginning, when we knew there was a legal argument about how much our song sounds like his song, as one songwriter to another, I wasn't sure that Cat Stevens would take that as bad.
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Calling a taxi in Texas is like calling a rabbi in Iraq.
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I'm all about telling stories. I like people to picture the music video in their head when they're just listening to the song.
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A lot of my friends send me Snapchats of when they're in the club, and they're like, 'It's your song!'
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It is such a gift to be able to write songs in general, but when you can share it with somebody, it is just such a pleasure. It is such a happy moment when you finish a song, and you are just like, 'Wow - that was great.'
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'Float On' was a fine song, but I was still writing the lyrics on the last day we were working on it and deciding if it was something we wanted to put on the record.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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Toil without song is like a weary journey without an end.
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I lived in Norway and Texas when I was a kid.
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When I see things that are inspiring, I must write a song about it. Some people make a t-shirt or slap something on a wall with paint, but I must make music and freestyle rap.
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When I write, I don't have any expectation of what kind of song it will become or who it might reach.
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My song can make you cry, take you by surprise. At the same time, can make your dry your eyes with the same rhyme. See what you're seeing is a genius at work, which to me isn't work, so it's easy to misinterpret it at first.
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I decided a handful of years ago that I just want to write songs that you can understand as soon as you put the record on. There’s no need to veil what’s happening in the song the way I used to. My goal as a songwriter now is to simply write some memorable turns of phrase.
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'Marvin Gaye' came about my first day in L.A. It was kind of crazy that that's my first song that I wrote and it blew up that much. What's crazy is the next day I wrote 'See You Again,' so that's pretty interesting. I was trying to prove myself as a songwriter.
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They look for the top note to end every song. They don't know what they are singing about. There is no style.
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I know so many people who have gone through just not very good situations, and sometimes you just need a song to help pick you up out of it, especially if you're going through the hurting part.
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Back when I was growing up, if I loved a song, I would record it off of the radio so I could hear them as many times as I wanted.
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Beck said he didn't believe in the theory of a song coming through you as if you were an open vessel. I agree with him to a certain extent.
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The goal is to try and make the perfect song. Which of course will never happen.
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Setting the state budget is one of the most important tasks we undertake at the state Capitol - because after all, it's the people's money - not the government's.
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I forgot he [Barack Obama] was black tonight for an hour.
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The Women of the Storm made a big difference for me, because it really put some real-life faces with the situation, and not just politicians.
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I like being a cult figure.
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I couldn't make every song about Texas because it wouldn't be new; it wouldn't be a breath of fresh air.
