Eleanor Antin Quotes
Pompeii, especially, with its grand murals and its flourishing gardens haunted by the dark shadow of Vesuvius, has always suggested uncomfortable parallels with our contemporary world, especially here in Southern California, where the sunlit life also turns out to have dark shadows in which failure and death lurk at the edge of consciousness. Now in these times, we have even closer parallels with those ancient, beautiful, affluent people living the good life on the verge of annihilation.
Quotes to Explore
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When I write, I create really absurd situations which become false because I am after the joke.
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I'm such a foodie, and I actually think I would rather lose my hearing than my taste.
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I'm excited that I get to do what I love, and I'm benefiting through projects that speak to me.
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I wanted to get a taste of what it would feel like to be a mum. I've always had a strong maternal instinct and ideally I would love one of my own.
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I kind of went into soap opera with 'General Hospital' in the '80s. It's like theater because every day it's a new script, which really doesn't have a beginning, middle or end like a play or a movie script. So you have to be on your toes and bring it every day. And you have to be spontaneous, which is really how I like to work.
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Can I eventually take classes and eliminate my accent? Sure. I guess anybody could. But this is who I am, and this is what I got. And there are millions of people who sound just like me. Millions. It's not like this is some novelty.
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I write and rewrite and rewrite and write and like to turn in what I think is finished work.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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Working with 50 Cent was great, you know what Im saying? It was just great to work with 50 Cent.
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Authoritarianism, an unrealistic occidental imagination - these issues will never be settled. Turkey will continue to take Europe as a model; it will continue to pursue its search for democracy.
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That's one of the great things about comedy: we can - and should - say the things that other people aren't supposed to say. If we didn't do that, if we didn't push against those limits, we'd just be standing around onstage and yelling.
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I worked as a lawyer; as a member of the teaching staff of a technical college; and then I worked principally as legal adviser to Adolf Hitler and the National Socialist German Workers Party.
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I don't think there should be more gun control. I think there should be more education.
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I think the voice is an underrated instrument these days and it's easy to make up for lack of ability with effects. I think sometimes people are more wowed with effects than core craftsmanship. Strong voices are not as common as they used to be.
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It's interesting because what I do and what I sing is, to other people, pretty unique. I feel I'm creating my own path... and I'm working on growing as a performer.
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Everyone makes their own comments. That's how rumors get started.
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My doctor gave me six months to live, but when I couldn't pay the bill he gave me six months more.
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I have been very pleased at the response we have got for 'SVSC.'
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I used to be Amish. I had to stay a lot with my grandparents or aunts and uncles who are Amish, so I was sort of partially Amish. When I go back there now I still get into that culture. I can drive a horse and buggy because they don't use cars. And, of course, there's no electricity. I respect them a lot. The Amish like to live a very plain lifestyle, the way they think God intended. It sort of brings you back to like Little House on the Prairie days or something.
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Let them make their war. Whence come night and day? Whence will the eagle become gray? Whence is it that night is dark? Whence is it that the linnet is green? The ebullition of the sea, How is it not seen?
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When I'm working on a Slipknot song, it's like a switch flips in my head. I can go there easily - it doesn't take a lot of soul searching - and it's a dark, almost sinister place. Stone Sour is more the way I've always written. It's a different tone.
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A dark-skinned human with four arms walks toward me across the floor of the club, clad only in a belt strung with human skulls.
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Our children may save us if they are taught to care properly for the planet; but if not, it may be back to the Ice Age or the caves from where we first emerged. Then we'll have to view the universe above from a cold, dark place. No more jet skis, nuclear weapons, plastic crap, broken pay phones, drugs, cars, waffle irons, or television. Come to think of it, that might not be a bad idea.
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Pompeii, especially, with its grand murals and its flourishing gardens haunted by the dark shadow of Vesuvius, has always suggested uncomfortable parallels with our contemporary world, especially here in Southern California, where the sunlit life also turns out to have dark shadows in which failure and death lurk at the edge of consciousness. Now in these times, we have even closer parallels with those ancient, beautiful, affluent people living the good life on the verge of annihilation.
