Don Henley Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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I can't write another breakup record. That would be a real cliche.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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Just because a record has a groove don't make it in the groove.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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My brother was told that he wouldn't walk, that he wouldn't be able to play drums, that he wouldn't be able to race a car - and he's done all those things. He's defied the odds, defied disability. I look at him and I'm so inspired, by his mentality and by how incredible the body and the mind are. There's really nothing you can't do. My brother has proved that.
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The reason that the unions and the other stakeholders have not cut a deal with the automakers is because they believe the federal government is going to bail them out.
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There's a couple of universal principles in life. One is, don't ever open a restaurant. One out of every two fails.
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I played drums on Keith Carradine's first record.
