Don Henley Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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Everything I record, I just try to sound like me and come up with songs that suit what I do and then just go for it. I never know what the public's going to like, anyway.
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Record-breaking is not getting boring. I am definitely happy with that.
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If we didn't get the record, we didn't exist.
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As long as it says Metallica on the record it's Metallica.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Leaving Def Jam was kind of a blessing in disguise because we can make whatever record we want.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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I grew up in an age where I loved going and buying a physical record. Things that were digital and all that stuff, it wasn't around. So I loved going and buying an album and looking through the inserts and reading stuff and seeing pictures.
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I can't write another breakup record. That would be a real cliche.
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When I recorded for Columbia, I could usually do anything in one take...I would invariably want to use the first take because that would be the one that was spontaneous and fresh.
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Just because a record has a groove don't make it in the groove.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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Making every record is a process full of tough times.
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Finding animals that make light in the ocean is easy. Just drag a net through the water anywhere in the upper 3000 feet, and as many as 80-90% of the animals you catch can make light. The biomimetic lure that I developed imitates one of these - a common deep sea jellyfish called Atolla.
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I threw a big-ass party. It turned out a bit different from Perry's [in That's Ordinary World], but it was pretty nuts. It wasn't me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair's character] she didn't forget.
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Stand up to your obstacles and do something about them.
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I'm not going to play someone too far from who I am. Although I did a movie where I played a killer, and that has yet to come out. But that's someone I love being able to shock people with. I could do something you would not expect me to do. My limitations are - I'm not Meryl Streep. I'm not playing anything in a foreign language, or anything too far from who I am.
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I played drums on Keith Carradine's first record.
