Acting Quotes
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The difference between acting badly or brilliantly is not based on your ability, but on the state of your mind and/or body in any given moment.
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Acting was what everybody thought I should do, and at 15, when you love something so much, it's like - 'That's not what I do. That's what they do.'
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Obedience is the only reality. It is faith visible, faith acting, and faith manifest. It is the test of real discipleship among the Lord's people.
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For as long as I've been acting, I have been very lucky to be paired with really great actresses playing my mom.
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It is the great business of every Christian to save souls. People complain that they do not know how to take hold of this matter. Why, the reason is plain enough; they have never studied it. They have never taken the proper pains to qualify themselves for the work. If you do not make it a matter of study, how you may successfully act in building up the kingdom of Christ, you are acting a very wicked and absurd part as a Christian.
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There's so much we can't express in our day-to-day interaction with people because it's considered inappropriate. And acting is all about being inappropriate.
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You're in this constant state of flux and transition, as if you had jet lag all the time. The acting part of it is easy. It's all the other things that come with it that are a bit difficult.
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The thing that I am most passionate about would be acting.
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When I was in acting class, we did a lot of really serious scenes, and we didn't do comedic scenes. I felt like doing those scenes, it didn't come out of my mouth the right way. I don't know if it's because my voice is different, or what it is about me, but it just seemed a little off.
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Acting and writing go together. Actors write because they love words and becoming other people - we love to escape into other characters.
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I went into show business because I love to work with people, and what I enjoy most about acting is rehearsing and getting to know people and their talents, forming relationships. Working in this business, barriers drop and you get into people real quickly
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In the end, I realized that I just didn't like acting enough to put up with the stereotype and I didn't really think I was good enough to transcend it.
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I was born in the theatre. My father was a small time impresario on the West Coast and I was acting from the age of 7, but I started to write when I was 12 and by the time I was 14 I was making more money than I was acting.
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When I'm acting, I just want to be the character and not have to think of any film technicalities.
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I approach my work with a passionate intensity, acting as if its success depends entirely on me. "But once I've done my best, I try to let go as much as possible and have no expectations about how my work will be received by the world."
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I think one of the great things about acting is the instant gratification: you just get up and start being a part of the story. The immediacy is something you get really addicted to.
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I would rather do many small roles on TV, stage or film than one blockbuster that made me rich but had no acting.
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One of the joys about acting is researching.
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It's important for me to be free and know I'm acting for myself. I do things because I want to, and that's important. You want to be your own person.
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I couldn't pick up a sword and go fight anyone, let me put it that way. It's choreography and it's acting. The best sword fights you see look amazing, but it's the acting that sells it more than anything.
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Acting is my passion and Chelsea FC is my hobby.
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I have to say, doing theater, that's what you're trained to do. Doing film, when I first started doing it, felt like something else entirely. It felt like the difference between, I don't know, waiting tables and painting a great work of art. It's night and day. I didn't feel like it was even acting.
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Acting is a lifelong love affair, and I am passionate and respect my craft to the utmost degree, which gives me the strength to move on from adversity in my work.
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In every painting, as in any other work of art, there is always an IDEA, never a STORY. The idea is the point of departure, the first cause of the plastic construction, and it is always present all the time as energy creating matter. The stories and other literary associations exist only in the mind of the spectator, the painting acting as the stimulus.