Jerry Coleman Quotes
Quotes to Explore
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I love when actors can let go of where and how they have to do it, and just that we do it. That we are flawed and human, and don't worry about how we look or who we are, or that it seems too old of a character if we're still young.
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In my opinion, all relationships between people have some sort of violence, and it is central.
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When I find the right information, the Web is a blessing; when I don't, it's a distraction.
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For me, let's keep jazz as folk music. Let's not make jazz classical music. Let's keep it as street music, as people's everyday-life music. Let's see jazz musicians continue to use the materials, the tools, the spirit of the actual time that they're living in, as what they build their lives as musicians around.
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As a child, I was hyper, I was a clown and I was sensitive. Today I'm all of the above, except I've refrained from bouncing off the walls.
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Explosions are not comfortable.
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I like to have something to base a role on.
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I don't really like to talk about other people. I think people who have things going on in their lives, I think they have enough to deal with, they don't need, you know, Abigail Breslin weighing in on their lives.
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'Life as a Dog' is when I really started to feel comfortable, like I had the due north on my compass.
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I'm not a one-issue person.
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Actors do like watching girls parade down the runway for some reason.
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By helping readers understand these mechanics, I hope they will appreciate why freedom is for everyone, why it is essential for our security and why the free world plays a critically important role in advancing democracy around the globe.
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How long should a man's legs be? Long enough to touch the ground.
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We men are easily prone to sins of thought. Therefore, He who has formed each heart individually, knowing that the impulse received from the intention constitutes the major element in sin, has ordained that purity in the ruling part of our soul be our primary concern.
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Someone made me a Leaf Coneybear finger puppet. Someone made me a portrait of me on some chocolate. I'm keeping it. I daren't eat such a work of art. It's so unique and so fun that fans do that. It's incredibly flattering. I like it when people spend time on me. People don't spend the same amount of time on my brother who's an insurance broker.
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CloudShield did not see itself as a cloak-and-dagger company. It made its name for high-end hardware that could peer deeply into Internet traffic and pull out and analyze 'packets' of data as they flew by.
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The future lies in designing and selling computers that people don't realize are computers at all.
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Their practice habits are terrific. I've been around some really good guys from different teams in terms of bringing it to practice. When I was in San Francisco, Bryant Young was that way. Every practice on it.
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I started making work that I assumed would be far too garish, far too decadent, far too black for the world to care about. I, to this day, am thankful to whatever force there is out there that allows me to get away with painting the stories of people like me.
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I'd like to do a little bit more adventurous TV. Maybe Showtime or HBO or just a little bit edgier. But I would go back to NBC, CBS, whatever.
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I haven't got a writer's discipline.
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I did some writing for that movie. The remake of Planet of the Apes. I didn't write the script. But I wrote some lines that they ended up... not using. ... I wrote one line. I thought it would've been perfect. I don't know if anyone saw the movie. It's the scene where the ape general comes in. And they're trying to decide if they should attack right there, or wait until a little later. And I wrote: "Man these bananas are good!" But they didn't use it. I did all of that research.
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I think there's something wrong with me - I like to win in everything I do, regardless of what it is. You want to race down the street, I want to beat you. If we're playing checkers, I want to win. You beat me, it's going to bother me. I just enjoy competition.
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It's a base hit on the error by Roberts.
