Elena Ferrante Quotes
I believe that, for those who love to write, time spent writing is never wasted. And then isn't it from book to book that we approach the book that we really want to write?
Quotes to Explore
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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It's easier to release an ebook than a print book.
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I don't really know what the Great American Novel is. I like the idea that there could be one now, and I wouldn't object if someone thought it was mine, but I don't claim to have written that - I just wrote my book.
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A comprehensive marketing plan involves both online and offline efforts to use and broaden your existing platform to promote your book.
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To write a love song that might be able to make it on the radio, that is something that is terrifying to me. But I can definitely write a song about that chair over there. That I can do, but to sit and write a pop song out of the clear blue sky, that is very difficult and I admire the people that can do it.
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Every burned book enlightens the world.
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I met this woman who was a hundred, this housekeeper, a hundred years old. I interviewed her. She just told me about her whole life. She's like, 'I can't read, I can't write; I can tell you who I was working for, and I can tell you the year, but who was president?'
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Housekeeping is incredibly difficult with three kids. I'm trying to be more relaxed. You'll go insane if you try to have a picture-book house.
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This object that we hold in our hands, a book... that tactile pleasure, it's just not going to go away.
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I have a nice little movie career, and I write plays and do my act.
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I had always wanted to include images in a novel, and with my first book, 'Telex From Cuba,' I made an elaborate website that is basically all images.
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I could learn how to press 'Record' on a tape recorder and write for a newspaper or a magazine.
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Unlike my opponent, I will not let oil companies write this country's energy plan, or endanger our coastlines, or collect another $4 billion in corporate welfare from our taxpayers.
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A classic is a book that doesn't have to be written again.
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My first biography was 'Our Golda: The Life of Golda Meir.' To research that book, I bought a 1905 set of encyclopedias. Those books told me what each of the places Golda Meir lived in were like when she lived there.
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Particularly when you're making a movie of a book, people are always waiting with their knives - you know?
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Be it a video game, comic book, or cheque book, the question always is, 'What story do you have to tell?'
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Certainly one of the surprising truths of having a book published is realizing that your book is as open to interpretation as an abstract painting. People bring their own beliefs and attitudes to your work, which is thrilling and surprising at the same time.
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Remember who you are and where you come from; otherwise, you don't know where you are going.
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Mehlis will go all the way and we want to go all the way. These arrests show that no matter how high the perpetrators are, they will face the consequences of what they did.
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I try to do a lot of asymmetrical, triangular compositions - I find those work really well for comic book covers in that portrait mode, and I don't always see that in other artists.
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I'm very friendly. I get along with people.
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Beauty does not come with creams and lotions. God can give us beauty, but whether that beauty remains or chagnes is determined by our thoughts and deeds.
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I believe that, for those who love to write, time spent writing is never wasted. And then isn't it from book to book that we approach the book that we really want to write?
