Grant Hart Quotes
I don't want to make compromises. I want my little silly jokes to be told with the correct punch line, and I'm satisfied trading off the immediacy to fulfill the detailed work of the artistic end of things.
Quotes to Explore
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There is no planning. On the night it is really great, it's euphoria and if it is not so great there is always tomorrow night. That was his attitude.
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Denied anything ardently desired, the individual or state will argue and parley just so long - then, if the impelling motive be sufficiently great, will cast aside every rule and break down every acquired inhibition, plunging viciously after the object wished; all the more fantastically savage because of previous repression.
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It gets pretty boring when all you are is the support system for a male character.
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I've got to be honest, there's no pleasure when you're working.
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Race differences show up early in life.
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I've been a big astrophysics nut since I was 12. I have always had a real soft spot for the bizarreness of quantum mechanics. But I gave up on being a scientist in high school - I'm just not that good at math.
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Conviction without experience makes for harshness.
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I love the crowds at festivals because they're so chilled out.
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I think what probably happens when you put two awkward/clunky people together is that their awkward/clunky world seems like a normal world.
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It's high time for the art world to admit that the avant-garde is dead. It was killed by my hero, Andy Warhol, who incorporated into his art all the gaudy commercial imagery of capitalism (like Campbell's soup cans) that most artists had stubbornly scorned.
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I just want to show the fans my big smile and play the game that I love.
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I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry.
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My mother was in the kind of late-'60s, early-'70s origins of female emancipation. And she was very much like, 'You're not going to be defined by how you look. It's going to be about who you are and what you do.'
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The track is fast and I appreciate anything is possible.
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I need to be looked after. I'm not talking about diamond rings and nice restaurants and fancy stuff – in fact, that makes me uncomfortable. I didn't grow up with it, and it's not me, you know. But I need someone to say to me, 'Shall I run you a bath?' or 'Let's go to the pub, just us.'
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As far as I'm concerned, blues and jazz are the great American contributions to music.
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My philosophy is to not be scared of anyone. If I play well, great; if I don't, I learn from the match and move on.
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What I have to work with is the life that's ahead of me right this minute.
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My dad has spent 20 years of his life working in child protection and writing policy for organisations across Australia in order to recognise and safeguard against abuse.
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I try to write relevant songs about life and whatever I'm going through and whatever people are going through.
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Everything is very individual for me in the way that I work; I don't just show a rotating rack of clothes.
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I think naturally I'm a very visual kind of person. If I wasn't in filmmaking, I'd be in something related to visuals. And I used to actually work as a visual-effects artist.
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When 'Pune-52' was offered to me, I liked the script, but I wasn't convinced about the kissing and other intimate scenes. I tried talking to the director, but things didn't work out.
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I don't want to make compromises. I want my little silly jokes to be told with the correct punch line, and I'm satisfied trading off the immediacy to fulfill the detailed work of the artistic end of things.
